{"product_id":"the-psychology-of-music-in-multimedia","title":"The Psychology of Music in Multimedia","description":"\u003cp\u003eFor most of the history of film-making, music has played an integral role serving many functions - such as conveying emotion, heightening tension, and influencing interpretation and inferences about events and characters. More recently, with the enormous growth of the gaming industry and the Internet, a new role for music has emerged. However, all of these applications of music depend on complex mental processes which are being identified through research on human\n\u003cbr\u003eparticipants in multimedia contexts. The Psychology of Music in Multimedia is the first book dedicated to this fascinating topic.  The Psychology of Music in Multimedia presents a\n\u003cbr\u003ewide range of scientific research on the psychological processes involved in the integration of sound and image when engaging with film, television, video, interactive games, and computer interfaces. Collectively, the rich chapters in this edited volume represent a comprehensive treatment of the existing research on the multimedia experience, with the aim of disseminating the current knowledge base and inspiring future scholarship. The focus on empirical research and the strong psychological\n\u003cbr\u003eframework make this book an exceptional and distinctive contribution to the field. The international collection of contributors represents eight countries and a broad range of disciplines including\n\u003cbr\u003epsychology, musicology, neuroscience, media studies, film, and communications. Each chapter includes a comprehensive review of the topic and, where appropriate, identifies models that can be empirically tested.  Part One presents contrasting theoretical approaches from cognitive psychology, philosophy, semiotics, communication, musicology, and neuroscience. Part Two reviews research on the structural aspects of music and multimedia, while Part Three focuses on research\n\u003cbr\u003eexamining the influence of music on perceived meaning in the multimedia experience. Part Four explores empirical findings in a variety of real-world applications of music in multimedia including\n\u003cbr\u003eentertainment and educational media for children, video and computer games, television and online advertising, and auditory displays of information. Finally, the closing chapter in Part Five identifies emerging themes and points to the value of broadening the scope of research to encompass multisensory, multidisciplinary, and cross-cultural perspectives to advance our understanding of the role of music in multimedia.  This is a valuable book for those in the fields of\n\u003cbr\u003emusic psychology and musicology, as well as film and media studies.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46060599640302,"sku":"9780199608157","price":84.64,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780199608157.jpg?v=1736515353","url":"https:\/\/bookland.com.au\/products\/the-psychology-of-music-in-multimedia","provider":"Book Land AU","version":"1.0","type":"link"}