{"title":"January 2025 New Arrival Collection - Art","description":"","products":[{"product_id":"nelson-design-for-qce-units-1-2-nelson-mindtap","title":"Nelson Design for QCE Units 1 \u0026 2 + Nelson MindTap","description":"\u003cp\u003eA comprehensive resource to engage and inspire QCE Design students, Nelson Design for QCE Units 1 \u0026amp; 2 has been written by Andrew Scott and Mike King both experienced and passionate Queensland design teachers to explicitly align with the new QCAA Design syllabus with a focus on the practical application of design thinking skills to devise and create innovative design solutions.  Nelson Design for QCE Units 1 and 2 has been divided into four sections to help students balance the practical and theoretical aspects of the first year of the QCE Design course. Sections 1 and 2 provide students with a designer's toolkit, including a step-by-step guide to undertaking their own design project, with useful tips and tricks as well as detailed advice on visualisation techniques. Sections 3 and 4 introduce students to design theory, including exploring a range of design disciplines and the work of significant designers and design movements.  Offering a fresh approach to QCE Design to inspire the next generation of Queensland designers.   This product includes Nelson MindTap . NMT products are not for individual use, they are for adoption, class set or book hire. Nelson MindTap is teacher-led courseware and requires an active course for access. This is a student activation code that can only be used to access a Nelson MindTap course as part of a school's adoption. Please contact your learning consultant to discuss purchasing options.\u003c\/p\u003e","brand":"Cengage Learning","offers":[{"title":"Default Title","offer_id":46055258620142,"sku":"9780170484343","price":67.61,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/productresizehandler_fbd42d92-7d52-4b0d-9e68-141d6548ced3.jpg?v=1736416111"},{"product_id":"cultures-and-values-a-global-view-of-the-humanities-volumes-i-ii","title":"Cultures and Values : A Global View of the Humanities, Volumes I \u0026 II","description":"\u003cp\u003eFichner-Rathus' CULTURES AND VALUES: A GLOBAL VIEW OF THE HUMANITIES, VOLUMES I \u0026amp; II, 10th Edition, takes you on a tour of some of the world's most interesting and significant examples of art, music, philosophy and literature from the beginnings of civilization to today. Discover the cultural connections occurring at the same time in different parts of the globe. Chapter previews, timelines, glossaries of key terms and 'Big Picture' reviews all help make it easy for you to learn the material and study more effectively.\u003c\/p\u003e","brand":"Cengage Learning","offers":[{"title":"Default Title","offer_id":46055261307118,"sku":"9780357640081","price":214.65,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/productresizehandler_a3a560e7-2898-4173-bf28-0d312f66c301.jpg?v=1736416161"},{"product_id":"cultures-and-values-a-global-view-of-the-humanities-volume-i","title":"Cultures and Values : A Global View of the Humanities, Volume I","description":"\u003cp\u003eFichner-Rathus' CULTURES AND VALUES: A GLOBAL VIEW OF THE HUMANITIES, VOLUME I, 10th Edition, takes you on a tour of some of the world's most interesting and significant examples of art, music, philosophy and literature, from the beginnings of civilization to today. Discover the cultural connections occurring at the same time in different parts of the globe. 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Discover the cultural connections occurring at the same time in different parts of the globe. Chapter previews, timelines, glossaries of key terms and 'Big Picture' reviews all help make it easy for you to learn the material and study more effectively.\u003c\/p\u003e","brand":"Cengage Learning","offers":[{"title":"Default Title","offer_id":46055261470958,"sku":"9780357640104","price":171.35,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/productresizehandler_acd822d0-6a49-4793-9e5e-4922302636ee.jpg?v=1736416164"},{"product_id":"futurism-a-very-short-introduction","title":"Futurism A Very Short Introduction","description":"\u003cp\u003eVery Short Introductions: Brilliant, Sharp, InspiringFrom the motorcar to the radio, modern technology radically transformed urban life by the first decade of the twentieth century.  As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments.  It was this state of affairs at which the Futurist movement took aim.  With its founding in 1909, the poet and impresario F.T. Marinetti called for\n\u003cbr\u003ea revitalization of aesthetic expression by means of \"movement and aggression.\"  A growing cadre of Futurist painters, poets, authors, and musicians exchanged Italy's cultural patrimony\n\u003cbr\u003efor new technologies, media, and metaphors, championing machine-propelled speed and its salutary hazards.  Cubist painting, collage, and sculpture lent the Futurist campaign a revolutionary style to match its rhetorical fervor.  Yet whereas Cubism remained a revolution of artistic form, Futurism sought to shatter the boundaries between art and life itself. 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In this book, Rose Aslan seeks to answer this question and explores the complexities of maintaining devout Islamic rituals in post-9\/11 America.\n\u003cbr\u003e  Drawing on an original survey of 350 Muslims as well as examples from literature, poetry, film, television shows, and social media posts, Muslim Prayer in American Public Life provides an\n\u003cbr\u003ein-depth examination of the lived experiences of Muslim prayer practices in the United States today. It explores the various ways practicing Muslims navigate their ritual obligations within a predominantly secular society and the diverse challenges they confront regarding prayer in public settings such as schools, workplaces, media representations, religious debates, and protest movements. Aslan shows how Muslims employ creative adaptations to prayer in secular spaces that are not designed to\n\u003cbr\u003eaccommodate religious needs. Despite facing discrimination, they assert their identity and claim belonging in the United States through embodied spiritual acts. Muslim Prayer in American Public Life\n\u003cbr\u003eillustrates how Muslims strive to maintain their faith within an ever-evolving American national context.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059152408814,"sku":"9780190079222","price":46.23,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780190079222.jpg?v=1736492265"},{"product_id":"marion-milner-on-creativity","title":"Marion Milner On Creativity","description":"\u003cp\u003eThis is a book about reading, drawing, and getting better--and what they have to do with one another. The British essayist, artist, and psychoanalyst Marion Milner (1900-1996) thought deeply about how reading, drawing, and getting better related to each other. The guiding question of Milner's life was of how people come to feel alive in, and feel creatively responsive to, their own lives. In pursuit of this, Milner explored\n\u003cbr\u003efields as diverse as anthropology, folklore, education, literature, art, philosophy, mysticism, and psychology. She became one of the twentieth century's most extraordinary thinkers about creativity.\n\u003cbr\u003eDavid Russell shows that there is no writer quite like Milner and the rewards of reading her are immense. Key to all her writing is her search for creative practices of attention--of how we pay attention in the life we have. She helped to develop a kind of psychoanalysis in Britain that focussed on the ways people relate to their own lives and the lives of others. Milner was literary and artistic; she took herself as her subject. Her writing performs\n\u003cbr\u003eways of responding associatively to the words and images she encountered. In the process, she found she was a quite different person than she had first thought. In the 1930s Milner invented a form for\n\u003cbr\u003ewriting about reading: an original kind of diary book, which is structured by the experience of going back to, and rereading, past diaries. In her interplay of past and present selves, she finds new ways of looking at, and experiencing, the world.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059153981678,"sku":"9780192859204","price":35.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780192859204.jpg?v=1736492301"},{"product_id":"the-battle-for-control-of-the-brass-and-instruments","title":"The Battle for Control of the Brass and Instruments","description":"\u003cp\u003eThe Battle for Control of the Brass and Instruments Business in the French Industrial Revolution narrates and analyzes the largest judicial battle in culture and industrial property in nineteenth century Europe, the echoes of which still ring today.The battle was about simple wind instruments made of brass and their related patents, not by opera - the musical genre that moved the most money and people at the time - or the revered and\n\u003cbr\u003econtentious high art. Music, in all its dimensions, had become a business. The nineteenth-century French industry of brasswinds shows how the strategic parameters of the Industrial Revolution and, essentially,\n\u003cbr\u003ethe system that sustained them (capitalism), permeated everything. What lay behind those contentious disputes was the pursuit of commercial profit, and the consolidation of a dominant position that would yield the maximum possible economic return. The legal confrontation began when a group of French businessmen who built wind instruments saw their business and sources of financing threatened after being forced by the Army to use a series of musical instruments that were different to the usual\n\u003cbr\u003eones and protected by patents for invention that belonged to Adolphe Sax, the inventor of the saxophone. 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Video Culture in India: The Analog Era narrates the history of video technology in India since its introduction in the 1980s, locating the moment within the country's socio-political context. It aims to\n\u003cbr\u003eprovide a comprehensive understanding of video technology in post-1980s India: one that speaks to its global history and context and fills the lacunae in the existing literature of the field. The monograph draws on\n\u003cbr\u003ediverse oral histories, discarded tapes, and forgotten archives to unravel the history of analog video in India. Specifically, it looks at the widespread popularity of the marriage video, the little-known history of the video-film, the intensity associated with the video-news magazine, and the explosive imagination attached to the religious video. Analysing the multi-dimensionality of video provides the context for a better understanding of the proliferation of video culture in contemporary\n\u003cbr\u003esites such as television news channels, digital photography, WhatsApp videos, and streaming. As the first full-length study of analog video production and circulation in India, this book invokes the\n\u003cbr\u003eforgotten video era in India.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059162501358,"sku":"9780198913221","price":167.58,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780198913221.jpg?v=1736492540"},{"product_id":"music-and-cosmopolitanism-rio-de-janeiro-at-the-turn-of-the-20th-century","title":"Music and Cosmopolitanism Rio de Janeiro at the Turn of the 20th Century","description":"\u003cp\u003eMusic and Cosmopolitanism is a musical portrait of a city-Rio de Janeiro. Award-winning author Cristina Magaldi takes readers on an auditory tour through the city's early post-Imperial years, a period of crucial transition,  as she surveys the city's variegated 'soundscape.' With visits to opera theaters and dance halls, and from symphony concerts to the cabaret, music halls, and the street, Magaldi moves through a gamut of musical expressions in Rio de\n\u003cbr\u003eJaneiro during these critical years of change. Her investigations demonstrate that the city's musical practices were articulated within a cosmopolitan context shared by residents in cities in the Americas and\n\u003cbr\u003eEurope, as she examines the musical and cultural interactions that resulted from early processes of urbanization, globalization, and the circulation of technology and information into and out of the Brazilian capital. 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This book helps listeners hear how George Harrison shaped the sound of The Beatles and how he carried that sound forward into his solo careerWithin You Without You is a highly personal exploration of George Harrison's essential contributions to the Beatles and his solo work, as well as his significant role as a Western proponent of\n\u003cbr\u003eIndian music and beliefs. Through close examination of his guitar playing in the Fab Four and his songwriting both in and out of the Beatles, author Seth Rogovoy demystifies the enigma of this most reluctant of rock stars.\n\u003cbr\u003eDrawing upon the insights of the author--a rock critic and historian of over forty years standing--as well as those of expert observers including Beatles filmmaker Michael Lindsay-Hogg and English rock singer-songwriters Robyn Hitchcock and John Wesley Harding, among others, this book extensively examines George Harrison's contributions to the musical world. Within You Without You will forever change the way readers hear the music of the Beatles and view\n\u003cbr\u003eHarrison's role in the group, as well as enhancing appreciation of Harrison as a cultural figure above and beyond his work as a musician.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059166531822,"sku":"9780197627822","price":40.12,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197627822.jpg?v=1736492685"},{"product_id":"what-to-save-and-why-identity-authenticity-and-the-ethics-of-conservation","title":"What to Save and Why Identity, Authenticity, and the Ethics of Conservation","description":"\u003cp\u003eWhat does a sanctuary for Hawaiian crows have in common with a troop of robots programmed to perform the M=aori haka, or recreations of World Heritage Sites built in Minecraft?  A family heirloom. An endangered species. An ancient piece of pottery. A threatened language. These things differ in myriad ways, but they are tied together by a common thread: they are all examples of things that call out to be saved. The world is\n\u003cbr\u003ebrimming with things worth saving, and we have limited time and resources. How do we decide what to save? Why do we make these choices?   Philosopher Erich Hatala Matthes explores these questions as\n\u003cbr\u003ethey surface in radically diverse contexts--from museums to TikTok, and from National Parks to the corner of your attic. Matthes illustrates the deep relationship between the things we might save and our sense of self. If our cares and concerns are a fundamental part of our identity, then what we care for and preserve will play a significant role in shaping and maintaining our understanding of who we are. In a world in which everything that we care about is subject to powerful forces of\n\u003cbr\u003echange--from climate disturbance and armed conflict, to social transformation and the wear and tear of time--the terms on which we confront change will be key to whether and how we can save the things we care\n\u003cbr\u003eabout in the ways that really matter to us. Will change be foisted upon us? Or is there a role for us to play in rejecting, influencing, or managing change? As he explores these questions, Matthes tackles related themes such as authenticity, agency, and appropriation: Who exactly should be responsible for saving things, and on whose behalf should such efforts be pursued? These are all essential elements to a fuller understanding of what to save and why.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059166990574,"sku":"9780197744550","price":40.12,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197744550.jpg?v=1736492707"},{"product_id":"the-oxford-handbook-of-radio-and-podcasting","title":"The Oxford Handbook of Radio and Podcasting","description":"\u003cp\u003eRadio today remains the most accessible and widely available communication medium worldwide, despite technological shifts and a host of upstart challengers. Since its origins in the 1920s, radio has innovated a new world of sound culture - now expanded into the digital realm of podcasting that is enabling the medium to reach larger audiences than ever before. Yet radio remains one of the least studied of the major areas of communication arts, due largely to its\n\u003cbr\u003ebroadcast-era ephemerality. With the advent of digital technology, radio's past has been unlocked and soundwork is exploding as a creative field, creating a lively and diverse sonic present while\n\u003cbr\u003esimultaneously making critical historical analysis possible at last. This volume offers newly commissioned chapters giving readers a wide-ranging view of current critical work in the fields of radio and podcasting, employing specific case studies to analyze sound media's engagement with the arts; with the factual world of news, talk, and documentary programming; as a primary means of forging community along with national, transnational, and alternative identities; and as a\n\u003cbr\u003esubject of academic and critical research. Its historical scope extends from radio's earliest days, through its mid-twentieth century decades as the powerful voice of nations and empires, onto its\n\u003cbr\u003etransformation into a secondary medium during the television era, and into the expanding digital present.  Over the course of 37 chapters, it provides evidence of the sound media's flexibility and adaptation across diverse cultures by examining radio's past and present uses in regions including the United States, Canada, Britain, Australia, Poland, China, Korea, Kenya, Angola and Mozambique, South Asia, and the Caribbean. Contributors include historians and media scholars as well as sound\n\u003cbr\u003eartists and radio\/podcast producers. 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Research on game music and sound is equally diverse-a vibrant, innovative, and multifaceted field that\n\u003cbr\u003eincorporates approaches from media studies, musicology, sound studies, music theory, psychology, and more. Drawing on the expertise of leading scholars and practitioners from around\n\u003cbr\u003ethe globe, The Oxford Handbook of Video Game Music and Sound features nearly 50 chapters on topics ranging from the earliest pinball machines to the latest in virtual reality technology. The resulting volume provides both a comprehensive introduction to the study of game audio and an indispensable resource for experts.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059182915822,"sku":"9780197556160","price":329.96,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197556160.jpg?v=1736493172"},{"product_id":"frames-of-minds-a-history-of-neuropsychiatry-on-screen","title":"Frames of Minds A History of Neuropsychiatry on Screen","description":"\u003cp\u003eAs a medium that aims to connect people through the communication and interpretation of experiences, cinema is uniquely positioned to showcase cultural misunderstandings around issues of mental health. Frames of Minds traces a history of psychiatry in film, concentrating on the major paradigm shifts in neuropsychiatry over the last century. Oftentimes, representations of psychiatry, mental illness, and psychotic breakdown are reduced to tropes and used by\n\u003cbr\u003efilmmakers as a tool for plot progression. Conversely, films can be used as an avenue to voice common concerns about the missteps of psychiatry, including overdiagnosis and mistreatment. Dr. Eelco Wijdicks\n\u003cbr\u003eprovides fresh insights into the minds of filmmakers and how they creatively tackle this complex topic. How do filmmakers use psychiatry, and what do they want us to see? What is their frame of mind--psychoanalytically, biologically, sociologically, anthropologically? Were they influenced by their own prejudices about the origins of mental illness? How does this influence the direction of their films?Examining the history of film alongside developments in neuropsychiatry,\n\u003cbr\u003eFrames of Minds uncovers a cinematic language of psychiatry. By taking chances to portray mental illness, filmmakers aim to achieve a sense of reality, and provide catharsis for viewers through the act\n\u003cbr\u003eof dramatization. Ultimately, the history of psychiatry in film is a history of the public perception of medicine, and the ways psychiatry is understood by directors, writers, actors, and audiences.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059183145198,"sku":"9780197615898","price":144.88,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197615898.jpg?v=1736493179"},{"product_id":"johann-sebastian-bachs-goldberg-variations-reimagined","title":"Johann Sebastian Bach's Goldberg Variations Reimagined","description":"\u003cp\u003eThis book provides the first detailed reception history of adaptations of Johann Sebastian Bach's Aria mit 30 Veränderungen (Goldberg Variations, BWV 988). 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Yet if nineteenth-century adaptations of this piece were usually created out of necessity, as a means of performing a lengthy piece without access to the original instrument, many twenty-first century adaptations, which have developed alongside historically informed performances,\n\u003cbr\u003ewere motivated by deconstructionist ideologies. This contrasts with the middle part of the twentieth century, when there was a prevalence of historically informed performances and a dearth of\n\u003cbr\u003eadaptations. Comparisons to other works by Bach reveal similar performance practice trends.The reception history documented in the book also considers the musical work concept. It shows that, particularly since the late 1980s, there has been a loosening of the regulative hold of the modernist work concept associated with single authorship, structural unity, and an autonomous score. It reveals that many recent adaptations are not direct interpretations of an authoritative\n\u003cbr\u003etext, but engage in multivalent dialogues as Bach's score becomes an infinite or open text in which multiple people, including subsequent (re)-composers, performers, directors, and audience members\n\u003cbr\u003eenter into inter- and intra-textual conversations. In the process, the book contributes to recent studies about adaptations, the role of musical authorship, and changing notions of Bach and the work concept in the twenty-first century. At the same time, it discusses many recently composed pieces, including ones by underrepresented composers.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059183571182,"sku":"9780197690628","price":192.89,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197690628.jpg?v=1736493205"},{"product_id":"the-music-of-the-future-sound-and-vision-in-the-caribbean","title":"The Music of the Future Sound and Vision in the Caribbean","description":"\u003cp\u003eIn this book, author Martin Munro offers a new path into Caribbean studies based on sound. He argues that to understand and begin to transform the past, present, and future of Caribbean studies, historians must do so at the node of both sound and vision. The book makes a compelling case for a broad realignment of Caribbean studies with particular emphasis on the sonic dimensions of Caribbean art, literature, travel writing, history, and society. From there, the book\n\u003cbr\u003eillustrates how sound and vision are closely connected in the Caribbean, to the point where they almost fuse into another, hybrid sense in which might be found the knotty truths and realities of the\n\u003cbr\u003eregion, its people, and its relations with others.Munro creates a mode of analyzing and understanding the multiple dialogues between visuality and aurality in relation to race, art, tourism, media, and literature. Crossing national and linguistic borders, he presents the Caribbean as a region and, working across media, he offers an expansive exploration of visuality and sound. The book's primary materials are varied--poems, novels, travel writing, amateur films, tourist\n\u003cbr\u003emovies, music, visual art--but united by the presence of the European-Caribbean, sound-vision dynamic that shapes so many accounts of cultural encounter in the region. The book traces this dynamic across\n\u003cbr\u003ethe materials to give a sense of how it reappears in different times and places to become a defining element of European-Caribbean cultural and social relations and of how and why sound in its myriad manifestations becomes such a prevalent marker of Caribbean being, culture, and society.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059183767790,"sku":"9780197759790","price":144.88,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197759790.jpg?v=1736493213"},{"product_id":"singularities-essays-in-aesthetics","title":"Singularities Essays in Aesthetics","description":"\u003cp\u003eThese essays, half of them appearing here for the first time, address issues concerning the two key singularities that Kant identified in aesthetics: artistic creativity and aesthetic judgement.  Ranging from Kant himself to contemporary debates, from song to conceptual art, from ethics to atheism, from function to failure, Aaron Ridley explores the ways in which the one-off character of creativity and judgement may defy our ordinary expectations of what an\n\u003cbr\u003eexplanation should be like. Intended equally for specialists and students, this collection offers a distinctive approach to aesthetics that will be of interest to any reader concerned with philosophical\n\u003cbr\u003ereflection upon the arts.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059183997166,"sku":"9780192845979","price":177.18,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780192845979.jpg?v=1736493228"},{"product_id":"technological-animation-in-classical-antiquity","title":"Technological Animation in Classical Antiquity","description":"\u003cp\u003eThe persistent desire to animate inanimate objects has been a recurring theme in European culture dating back to ancient Greek and Roman times. Technological Animation in Classical Antiquity aims to establish, for the first time, the significance of this aspiration and its practical realization within Greek and Roman societies. While certain aspects of this narrative have been explored previously, this study shifts the focus to place technological animation\n\u003cbr\u003eat the forefront. The sixteen chapters examine the tangible existence of such devices across various media and considers their roles in diverse contexts, delving into the reciprocal relationship between\n\u003cbr\u003etechnological and material realities, and its influence on the concept of animation and vice versa. By adopting this perspective, technological animation not only provides a new understanding of the processes behind animation but also lends a fresh perspective to the animated artifact. In contrast to other types of animation, where the technologically animated artifact is often dismissed as a perceptual error induced, for instance, by rhetoric or magic, this study separates technological\n\u003cbr\u003eanimation from notions of rhetorical or magical skills, theurgy, or divine intervention. Specifically, it concentrates on a subset of artificial animation solely produced through technical procedures,\n\u003cbr\u003eexploring how various motive forces actively contributed to giving objects agency and impacting their viewers, illuminating how the material conditions of the artifacts themselves played a role in the process of technological animation--whether through the distinctive materiality of bronze or the design of a statuette's hinge.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059184488686,"sku":"9780192857552","price":240.04,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780192857552.jpg?v=1736493243"},{"product_id":"catullus-in-twentieth-century-music-lyrics-and-lyricism","title":"Catullus in Twentieth-Century Music Lyrics and Lyricism","description":"\u003cp\u003eOne of the most famous voices to have survived from the Roman world, Catullus's poetry is still amongst the most popular and widely read. But what is it that makes this 2,000-year-old voice so relevant, so personal, and so endlessly fascinating? Reinvigorating discussions around the nature of Catullus's lyricism, Catullus in Twentieth-Century Music takes a completely new approach to Catullus and ideas of lyric. It centres around four musical works from the\n\u003cbr\u003etwentieth century, each one capturing the essence of Catullus in musical retellings and showcasing a very personal response to the original text. Considering how and why these musical composers used Catullus's\n\u003cbr\u003epoetry as their stimulus allows us to uncover new ideas about Catullus's poetry. By considering the very process of reception, Stephanie Oade takes a broader view of lyric, identifying traits and characteristics that are common to both music and poetry, thus transcending the boundaries of individual art forms in order to consider the genre in larger, interdisciplinary terms. It offers insights into compositional processes and challenges audiences to think about ways of engaging with music and\n\u003cbr\u003epoetry. More than anything, it shows how ancient voices continue to resound in modernity and offer everlasting expression for our own experiences and emotions.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059189928174,"sku":"9780198918684","price":199.88,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780198918684.jpg?v=1736493380"},{"product_id":"learn-faster-perform-better","title":"Learn Faster, Perform Better","description":"\u003cp\u003ePracticing is an essential part of every musician's life, but we are rarely taught how to practice in the most effective and efficient way. Many of us find ourselves frustrated when we sound good in the practice room only to embarrass ourselves on stage or in front of our teachers. We feel overwhelmed by the amount of music we have to learn, unsure how to balance everything. Playing from memory can feel terrifying and an insurmountable challenge, and overcoming bad\n\u003cbr\u003ehabits can seem impossible at times. Molly Gebrian applies the science of learning and memory to practicing and performing, giving musicians the tools to learn music more\n\u003cbr\u003eeffectively and experience greater confidence on stage. Researchers working in the fields of cognitive psychology and neuroscience have discovered many important principles about how the brain learns new information, retains this information both short- and long-term, and how to make this learning reliable in high-pressure situations like performances. Musicians often choose practice strategies that don't align well with the optimal ways in which the brain learns, leading to frustration while\n\u003cbr\u003epracticing and inconsistency in performance. The author offers a practical guide, using accessible language for non-scientists and non-academics, to help musicians get more out of their practicing by\n\u003cbr\u003eapplying this research. Gebrian starts with general principles of learning and how the brain works, and then progresses through increasingly specific topics. Throughout the book, the science behind the various topics is explained in layman's terms, accompanied by practical, actionable advice that can be implemented immediately, to give musicians of all levels better tools while practicing and greater confidence on stage.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059194417390,"sku":"9780197680070","price":40.12,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197680070.jpg?v=1736493536"},{"product_id":"sixties-british-pop-outside-in-volume-ii","title":"Sixties British Pop, Outside In Volume II","description":"\u003cp\u003eItchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. As the generation born during the postwar years approached adulthood, they gravitated to music that resonated with their lives. Mainstream pop remained true to the basics, but some British artists conjured up sophisticated hybrid\n\u003cbr\u003eforms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the\n\u003cbr\u003eauthority of their parents' generation. Improved amplification opened larger and more lucrative concert venues while the spread of studios with enhanced technologies allowed artists and production crews the means to improve performances and recordings.British charts began to reflect London's postcolonial heritage as groups such as the Beatles, the Rolling Stones, the Kinks, and the Who all listened for ideas and sounds that would distinguish their recordings. On stage, the\n\u003cbr\u003eYardbirds, Cream, Led Zeppelin, the Nice, and others led by instrumental virtuosi developed British versions of American blues and rhythm and blues while the Moody Blues, Pink Floyd, and King Crimson\n\u003cbr\u003epainted imaginary worlds. And, although Engelbert Humperdinck and other men lamented independent women, Dusty Springfield, Sandie Shaw, and Lulu used their cultural capital to question systemic sexism. Based on extensive research, including vintage and original interviews, Itchycoo Park, 1964-1970 presents sixties British pop, not as lists of discrete people and events, but as an interwoven story. Communities of musicians, producers, music directors, engineers,\n\u003cbr\u003esongwriters, publishers, promoters, broadcasters, and journalists interacted as they provided songs, made and played recordings, organized concerts, and celebrated the optimism of youth. They brought audiences\n\u003cbr\u003etogether and gave individuals identity while establishing the musical world in which we live today.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059194515694,"sku":"9780190672393","price":55.83,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780190672393.jpg?v=1736493540"},{"product_id":"the-tenderness-of-silent-minds","title":"The Tenderness of Silent Minds","description":"\u003cp\u003eThe human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal\n\u003cbr\u003eemotions.Offering a reading of Britten's views about the value and beauty of the body that situates these in the context of his thirty-nine year partnership with his lover, the singer Peter\n\u003cbr\u003ePears, and also surveying pacifist themes in works written both before and after War Requiem, Nussbaum presents a compelling framework for critically assessing Britten's oeuvre. Nussbaum engages with a remarkably wide range of Britten's works, examining his treatment of aggression and its roots in his collaborations with the poet W.H. Auden, offering readings of the value placed on the body in early partnerships with Britten's beloved and singer Peter Pears, and surveying pacifist\n\u003cbr\u003ethemes in Britten's earlier works. The analysis throughout is enriched with perspectives from Britten's personal letters and thoughtful study of the social and political backdrop of fear and homophobic disgust in\n\u003cbr\u003emid-twentieth century Britain. According to Nussbaum's interpretation, War Requiem confronts listeners with the reality of bodily experience in war, eliciting compassion by its depiction of beauty, vulnerability, and eroticism.  Issuing a stern warning, it points the way to hope for postwar reconciliation. Nussbaum's careful analysis of Britten's score and its settings of both the Requiem Mass and Owen's poems, their historic performance at Coventry, and its\n\u003cbr\u003ephilosophical commitments, unveils a message of human love in a hostile world that resonates as powerfully today as in post-war Britain.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059194843374,"sku":"9780197568538","price":47.98,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197568538.jpg?v=1736493558"},{"product_id":"keep-your-singing-voice-healthy","title":"Keep Your Singing Voice Healthy!","description":"\u003cp\u003eMany common vocal health problems may be successfully self-managed by singers. Even when a visit to the doctor is needed, an understanding of how the voice works, and, more importantly, when, and why it doesn't work, empowers the singer, and can make a medical visit more effective. Written by two prominent laryngologists with many decades of experience in treating singers, Keep Your Singing Voice Healthy! is a practical self-help\n\u003cbr\u003emanual that shows all singers, from beginner students to seasoned professionals, how to take charge of their vocal health. The authors demystify medical terms, explain the anatomy and function of the vocal\n\u003cbr\u003eapparatus, and give simple advice on managing common health issues, dealing with doctors and medications, and maintaining good health--all from the singer's perspective.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059194941678,"sku":"9780197629673","price":40.12,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197629673.jpg?v=1736493561"},{"product_id":"sixties-british-pop-outside-in-volume-1","title":"Sixties British Pop, Outside In Volume 1","description":"\u003cp\u003eDowntown, 1956-1965--the first volume of Sixties British Pop, Outside In--describes the rise of London's music and recording cultures through the stories of those who empowered Britain's youth to be young. As the generations born in the postwar world entered adolescence and demanded a say in their lives, British musicians responded by creating music reflecting youth's quest for love and recognition. With waves of technological innovation sweeping\n\u003cbr\u003ethrough a world where political and economic superpowers postured for domination, deep-seated English values helped shape both pop music and its audiences.The music that reverberated in hundreds of\n\u003cbr\u003elocal clubs and halls began as fervent attempts to imitate an ongoing American cultural invasion that television helped bring into front rooms across Britain. The emergence of British blues and rock 'n' roll began when broadcasters allowed teens to discover Tommy Steele, Cliff Richard and the Shadows, Adam Faith, Helen Shapiro, and others. These pioneers provided an opening for the Beatles to lead a northwest invasion of an unsuspecting London. Soon, from across the nation, the Rolling Stones,\n\u003cbr\u003ethe Animals, the Kinks, and a host of other groups, and singers such as Petula Clark, Tom Jones, and Donovan were feeding their music into the same media stream that the US had dominated. Americans,\n\u003cbr\u003ereeling from the assassination of a president, embraced the unmitigated joy and optimism they heard and called it the British invasion. Based on extensive research and drawing on vintage and original interviews, Downtown, 1956-1965 frames the extraordinary rise of British pop in an era when pharmaceutical discoveries and electromagnetic innovation were altering lives. A community of musicians, producers, music directors, engineers, songwriters, publishers,\n\u003cbr\u003epromoters, broadcasters, and journalists provided songs, made and played recordings, organized concerts, and wrote about music expressing the exuberance of youth culture. They brought audiences together and gave\n\u003cbr\u003eindividuals identity. Moreover, the fruits of their efforts set in motion the musical world in which we live today.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059205951726,"sku":"9780190672355","price":55.83,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780190672355.jpg?v=1736493896"},{"product_id":"sixties-british-pop-outside-in-volume-2","title":"Sixties British Pop, Outside In Volume 2","description":"\u003cp\u003eItchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. As the generation born during the postwar years approached adulthood, they gravitated to music that resonated with their lives. Mainstream pop remained true to the basics, but some British artists conjured up sophisticated hybrid\n\u003cbr\u003eforms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the\n\u003cbr\u003eauthority of their parents' generation. Improved amplification opened larger and more lucrative concert venues while the spread of studios with enhanced technologies allowed artists and production crews the means to improve performances and recordings.British charts began to reflect London's postcolonial heritage as groups such as the Beatles, the Rolling Stones, the Kinks, and the Who all listened for ideas and sounds that would distinguish their recordings. On stage, the\n\u003cbr\u003eYardbirds, Cream, Led Zeppelin, the Nice, and others led by instrumental virtuosi developed British versions of American blues and rhythm and blues while the Moody Blues, Pink Floyd, and King Crimson\n\u003cbr\u003epainted imaginary worlds. And, although Engelbert Humperdinck and other men lamented independent women, Dusty Springfield, Sandie Shaw, and Lulu used their cultural capital to question systemic sexism. Based on extensive research, including vintage and original interviews, Itchycoo Park, 1964-1970 presents sixties British pop, not as lists of discrete people and events, but as an interwoven story. Communities of musicians, producers, music directors, engineers,\n\u003cbr\u003esongwriters, publishers, promoters, broadcasters, and journalists interacted as they provided songs, made and played recordings, organized concerts, and celebrated the optimism of youth. They brought audiences\n\u003cbr\u003etogether and gave individuals identity while establishing the musical world in which we live today.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059205984494,"sku":"9780190672386","price":158.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780190672386.jpg?v=1736493897"},{"product_id":"music-and-dance-as-everyday-south-asia","title":"Music and Dance as Everyday South Asia","description":"\u003cp\u003eMusic and Dance as Everyday South Asia offers an inclusive lens through which to study the music, dance, and allied arts of South Asia, its diasporas, and the people who produce and use these cultural expressions. The authors in this collection--ethnomusicologists, dance scholars, anthropologists, and practitioners--understand music and dance as everyday lived experience. \"The everyday\" comprises practices of South Asians in multiple countries, whose\n\u003cbr\u003eidentities include numerous castes, classes, tribes, genders, sexualities, religions, nationalities, more than twenty languages, and other affiliations. With the goal to de-emphasize an approach that fetishizes\n\u003cbr\u003eanalysis of classical form and its technical virtuosity, this book instead contextualizes the understanding of aesthetic meaning within six themes: place and community; style, genre, and function; intersectional identities of caste, class, and tribe; gender and sexuality; technology, media, and transmission; and diaspora and globalization.The thirty chapters in this collection demonstrate how the arts are meaningful expressions of human identities and relationships for\n\u003cbr\u003eordinary people as well as virtuosic performers. Each author ties their thesis to hands-on, participatory exercises that provide multiple entryways to understand and engage with cultural meaning. In so\n\u003cbr\u003edoing, they empower classroom dialogue that treats embodied experience as a vital mode of enquiry, supplementing critical textual analysis to cultivate attentive, responsive, and ethical dispositions toward the music and dance practices of other humans and their life experiences.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059207819502,"sku":"9780197566237","price":192.89,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197566237.jpg?v=1736493912"},{"product_id":"the-making-of-european-music-in-the-long-eighteenth-century","title":"The Making of European Music in the Long Eighteenth Century","description":"\u003cp\u003eMusical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words \"European\" and \"music\" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label \"Western music,\" which features so prominently in pedagogical and scholarly discourses?In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving\n\u003cbr\u003etraces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to \"European music,\" and for the next hundred years the term\n\u003cbr\u003eappeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of \"Western music.\" Western European writers also associated these terms with notions of \"progress\" and \"perfection.\" Meanwhile, changing ideas about \"modern\" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents,\n\u003cbr\u003einfluenced the ways that these scholars imagined and interpreted musical pasts around the globe.Irving weaves his analyses throughout the book's historical examinations, suggesting\n\u003cbr\u003ethat \"European music\" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that \"Western music\" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of \"the East.\" All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music\n\u003cbr\u003ehistory.Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059208048878,"sku":"9780197632185","price":133.53,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197632185.jpg?v=1736493919"},{"product_id":"pop-convergence-musical-multimedia-in-manila","title":"Pop Convergence Musical Multimedia in Manila","description":"\u003cp\u003eWhat do the power rock band Aegis, multimedia superstar Vice Ganda, queer zombie film Zombadings, and glocalized movement P-Pop have in common? These subjects of Philippine pop culture embody novel convergences in aesthetics, style, tone, and thematic content culled from local, regional, and global ideas.Pop Convergence explores the contemporary pop music and related multimedia cultures of Manila, the center for commercial\n\u003cbr\u003eentertainment industries in the Philippines. At the turn of the twenty-first century, the country was recovering from decades of political mayhem and economic turbulence against a backdrop of swelling class divide and the\n\u003cbr\u003ematuration of mass media. Distinct from the somberness of nationalist anthems, Western music covers, and protest songs of prior years, the creative industries of new-millennium Manila generated a multimedia movement emphasizing kitsch, parody, and overstatement. These works, author James Gabrillo claims, can be read as complex expressions of consumer fatigue, ironic self-consciousness, and instinctive reclamation of social power by the creative working class.This\n\u003cbr\u003eentertainment industry developed a buoyant system of mass culture, filtered through the demands of postcolonial, postmodern Manila's broadening capitalist media enterprises. Pop Convergence locates the\n\u003cbr\u003ehallmarks and contributions of this scene within an assortment of platforms--on screens, via streams, and on the streets-- to explore musical sequences in cinema, reality television spectacles, melismatic power ballads, song-and-dance contests, musical comedy bars, and viral virtual sensations. Dissecting these arenas of musical articulation and negotiation, Pop Convergence metaphorizes the interplay within Manila's contemporary networks of artistic production, power, and spectatorship\n\u003cbr\u003eas a complex patchwork of convergence. This multimedia patchwork is framed not simply as a culmination of tradition stained by outside influence but as a fascinating force resulting from endless confrontation.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059210277102,"sku":"9780197665114","price":200.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197665114.jpg?v=1736493941"},{"product_id":"growing-songwriting-student-creativities-in-the-classroom-and-beyond","title":"Growing Songwriting Student Creativities in the Classroom and Beyond","description":"\u003cp\u003eGrowing Songwriting is a groundbreaking book on the pedagogy of songwriting that starts with the essential question: How do I begin to write songs myself and with my students? In this book, Randles suggests that we start with cover songs, then explore the middle ground of remixes and sampling, and finally, jump into the world of lyric writing and the musical world of original songs. A growing metaphor also features throughout: lesson \"seeds\" are presented\n\u003cbr\u003ealong with \"water\" in the form of stories of how people have written songs in the past and \"sunlight\" in the shape of ideas for continuation and inspiration. It is all about growing! In this book, you will be\n\u003cbr\u003einspired by stories of how riffs were created, how lines were penned, and how songwriters capture their ideas in journals. Original music making is part inspiration and mostly hard work. This book gives you a window into the world of craft that surrounds the working lives of professional songwriters and pulls you into that world in small manageable steps. In looking to the metaphor of nature for pedagogical answers--answers that may very well usher in the most profound curricular growth period\n\u003cbr\u003ein the history of music education--Growing Songwriting aims to sow the seeds of songwriting in your life so that it can also flourish in the lives of your students.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059210801390,"sku":"9780197693216","price":217.34,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197693216.jpg?v=1736493959"},{"product_id":"growing-songwriting","title":"Growing Songwriting","description":"\u003cp\u003eGrowing Songwriting is a groundbreaking book on the pedagogy of songwriting that starts with the essential question: How do I begin to write songs myself and with my students? In this book, Randles suggests that we start with cover songs, then explore the middle ground of remixes and sampling, and finally, jump into the world of lyric writing and the musical world of original songs. A growing metaphor also features throughout: lesson \"seeds\" are presented\n\u003cbr\u003ealong with \"water\" in the form of stories of how people have written songs in the past and \"sunlight\" in the shape of ideas for continuation and inspiration. It is all about growing! In this book, you will be\n\u003cbr\u003einspired by stories of how riffs were created, how lines were penned, and how songwriters capture their ideas in journals. Original music making is part inspiration and mostly hard work. This book gives you a window into the world of craft that surrounds the working lives of professional songwriters and pulls you into that world in small manageable steps. In looking to the metaphor of nature for pedagogical answers--answers that may very well usher in the most profound curricular growth period\n\u003cbr\u003ein the history of music education--Growing Songwriting aims to sow the seeds of songwriting in your life so that it can also flourish in the lives of your students.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059210932462,"sku":"9780197693223","price":55.83,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197693223.jpg?v=1736493965"},{"product_id":"aesthetics-after-modernism","title":"Aesthetics After Modernism","description":"\u003cp\u003eAesthetics after Modernism defends the ongoing relevance of aesthetics to art after modernism. Diarmuid Costello traces the art world's rejection of aesthetics to Clement Greenberg's success in co-opting the discourse of aesthetics, notably Kant's aesthetics, to underwrite a formalist theory of aesthetic value. This has led to Kant's aesthetics being tarred with the brush of Greenbergian formalism; it has also encouraged subsequent critics and theorists to\n\u003cbr\u003emiss the resources in Kant's aesthetics for capturing our cognitive relation to precisely the kinds of art that interest them. There is a tendency to assume that Kant's aesthetics cannot speak to the\n\u003cbr\u003emore cognitive aspects of our engagement with art. Costello offers an interpretation of Kant's aesthetics, grounded in his theory of art, that aims to show otherwise. Conceptual Art provides an instructive test case: here is an art that, at least in its more purist forms, claimed to forgo sensible properties altogether, in favour of direct engagement with ideas. But if Kant's aesthetics can be shown to accommodate our cognitive relation to works with no sensible features relevant to their\n\u003cbr\u003eappreciation, it should be able to accommodate any work of art. Aesthetics after Modernism proceeds in three steps: Part I sets out the internal structure of Greenbergian theory, focusing on the\n\u003cbr\u003erelation between his modernism and formalism, before critiquing each in turn. Part II unpacks the afterlife of Greenbergian theory by considering one sympathetic and one antipathetic response to his modernism and formalism in turn: Michael Fried and Rosalind Krauss for the former, Thierry de Duve and Arthur C. Danto for the latter. Part III returns to Kant's aesthetics, demonstrating that Kant's account of art as an 'expression of aesthetic ideas' is well placed to address the semantic content\n\u003cbr\u003eof genres such as Conceptual Art more commonly thought to exceed its grasp.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059211325678,"sku":"9780197756393","price":212.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197756393.jpg?v=1736493982"},{"product_id":"monteverdis-voices","title":"Monteverdi's Voices","description":"\u003cp\u003e\"Ah, alas!\" The \"faithful shepherd\" Mirtillo's woeful sigh of unrequited love, delivered with outrageous musical dissonances, has rung through the ages since the first publication of Claudio Monteverdi's madrigal \"Cruda Amarilli\" in 1605. But there is far more to the composer's nine books of madrigals than dissonant progressions--they are an integral part of the intellectual, artistic, and practical worlds of creation and performance in Italian musical and literary\n\u003cbr\u003eculture of the late sixteenth and early seventeenth centuries.While Monteverdi is also recognized for his operas and sacred works, it is no surprise that the madrigal dominated\n\u003cbr\u003ehis output through his long career in Cremona, Mantua, and Venice. Author Tim Carter illustrates how the composer's wonderfully witty settings of Italian verse ran the gamut from compositions in the traditional polyphonic style for five unaccompanied voices to those in more modern idioms for one or more singers and instruments. Their poets included the major figures of the day--Torquato Tasso, Battista Guarini, and Giambattista Marino--as well as the classics, not least of all Petrarch, with\n\u003cbr\u003etexts that embraced all the current literary genres from lyric through epic to dramatic. Monteverdi also repeatedly asked and answered the fundamental question of any musical setting of poetry concerning\n\u003cbr\u003ethe relationship between poetic and musical voice(s).Carter offers a more holistic perspective than has been adopted in the partial studies of Monteverdi's madrigals to date and moves far beyond conventional views of the composer and his work. He considers how Monteverdi engaged with poetry, with sound, and with the performers for whom he was writing. As Carter shows, Monteverdi was irascible, exasperating, and prone to error. Yet his astonishing musical mind was also\n\u003cbr\u003einventive, playful, and capable of the most extraordinary wit--producing madrigals that continue to invite new approaches both to their study and to their performance.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059211423982,"sku":"9780197759196","price":144.88,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197759196.jpg?v=1736493988"},{"product_id":"oxfordaqa-international-gcse-design-and-technology-product-design-9252","title":"OxfordAQA International GCSE Design and Technology: Product Design 9252","description":"\u003cp\u003ePlease note this title is suitable for any student studying: Exam Board: OxfordAQA Level and subject: International GCSE Design and Technology: Product Design First teaching: 2023 First exams: 2025  Written by a subject expert, the OxfordAQA International GCSE Design \u0026amp; Technology Student Book provides comprehensive support for the new OxfordAQA International GCSE Design and Technology\n\u003cbr\u003especification. For first teaching 2023 and examinations 2025. Including practical guidance for the core technical principles and plenty of practice exam questions, the OxfordAQA International\n\u003cbr\u003eGCSE Design \u0026amp; Technology Student Book fully equips students with both the knowledge and practical skills required to thrive throughout the qualification and achieve their best across the assessments.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059218895086,"sku":"9781382052634","price":58.45,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9781382052634.jpg?v=1736494078"},{"product_id":"dowland","title":"Dowland","description":"\u003cp\u003eDowland celebrates the story of one of the most important composers to emerge from early modern England. This book contextualizes the geographical, political, religious, cultural, and musical aspects of the life of John Dowland (1563-1626). It provides a window into life as a musician in the Elizabethan-Jacobean era, illuminating the importance of social, courtly, and academic connections as it closely explores the composer's musical compositions. During\n\u003cbr\u003ehis lifetime, Dowland was well-known for his prowess as a performing lutenist who established a reputation not only in England, but also in the German and Italian lands, Denmark, and beyond. His lute solos and\n\u003cbr\u003eduos survive in manuscripts collected across Europe. He also issued four books of lute song-ayres, including the most successful secular music anthology of the era, one collection of consort music, and a theoretical translation, all printed in London. In these publications, Dowland utilized innovative print formats and set new standards for contemporary genres. Collectively, Dowland's compositions and writings present the self-styled image of a man always seeking more. This book places these\n\u003cbr\u003eactivities within a biographical timeline of ongoing artistic, commercial, and reputational pursuits. As a complete record, Dowland captures the entrepreneurial resourcefulness of the foremost musician\n\u003cbr\u003eof his day, a performing composer who understood expected conventions, seized opportunities, and created a musical legacy that still stands firm 400 years after his death.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059220402414,"sku":"9780197558850","price":64.56,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197558850.jpg?v=1736494151"},{"product_id":"the-oxford-handbook-of-black-horror-film","title":"The Oxford Handbook of Black Horror Film","description":"\u003cp\u003eSince the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or \"Blackness\" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black\n\u003cbr\u003ehorror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as\n\u003cbr\u003eactors, screenwriters, directors, producers-globally and across cultures. The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered \"Black?\"; how is Blackness constructed in the culture in which it is produced and\/or distributed?; How is horror defined and\n\u003cbr\u003erepresented globally and\/or culturally?; and what textual role does Blackness play in horror? Sophisticated, innovative, argument-driven research that brings to bear the most\n\u003cbr\u003eenlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059220533486,"sku":"9780197624807","price":286.31,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197624807.jpg?v=1736494158"},{"product_id":"la-la-land","title":"La La Land","description":"\u003cp\u003eIn this Oxford Guide to Film Musicals, author Hannah Lewis gives readers fascinating new insights into the  development, style, and reception of the 2016 film musical La La Land. Directed by Damien Chazelle with music by Justin Hurwitz, the film tells the story of a romance between an aspiring actress and jazz pianist as the two pursue their dreams in Los Angeles. It uses a vintage form to tell a modern story and its blend of nostalgia and realism\n\u003cbr\u003emade it an instant classic even as it prompted a range of critical and audience responses. Drawing on extensive personal interviews with director Damien Chazelle, composer Justin Hurwitz, choreographer Mandy Moore, and\n\u003cbr\u003elyricists Benj Pasek and Justin Paul, the book explores La La Land's aesthetic approach to the film musical genre, particularly its engagement with and subversion of the classic Hollywood musical's stylistic and narrative expectations. Lewis offers readers ways of listening to the film's depiction of jazz, focusing especially on how race and genre intersect in its narrative. She also reveals new insights into the film's reception, showing how the critical response\n\u003cbr\u003efrom its premiere to its place at the Academy Awards reflected broader cultural expectations and understandings of the film musical and its continued appeal for twenty-first century audiences. By exploring the\n\u003cbr\u003erange of stylistic and cultural debates that La La Land prompted, this book gives readers new ways of thinking about the film musical genre's enduring and evolving place in contemporary American culture.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059220730094,"sku":"9780197682586","price":158.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197682586.jpg?v=1736494169"},{"product_id":"harold-arlen-and-his-songs","title":"Harold Arlen and His Songs","description":"\u003cp\u003eHarold Arlen and His Songs is the first comprehensive book about the music of one of the great song composers of the twentieth century. Arlen wrote many standards of the American Songbook-including \"Get Happy,\" \"Over the Rainbow, \"Stormy Weather,\" \"Come Rain or Come Shine,\" and \"The Man That Got Away\" - that today rank among the best known and loved. Author Walter Frisch places these and other songs in the context of a long career that took Arlen from\n\u003cbr\u003eBuffalo, New York; to Harlem's Cotton Club; to Broadway stages; and to the film studios of Hollywood. Even with their complex melodies, harmonies, and formal structures, Arlen's tunes remain accessible and\n\u003cbr\u003ememorable. As Frisch shows, he blended influences from his father's Jewish cantorial tradition, his experience as a jazz arranger and performer, and peers like Gershwin, Kern, and Berlin. Arlen always emphasized the collaborative nature of songwriting, and he worked with the top lyricists of his day, including Ted Koehler, Yip Harburg, Johnny Mercer, and Ira Gershwin.Harold Arlen and His Songs is structured around these and Arlen's other partnerships, analyzing\n\u003cbr\u003eindividual songs as well as the shows or films in which they appear. The book also treats Arlen's performances of his own music as a vocalist and pianist, through numerous recordings and appearances on radio and\n\u003cbr\u003etelevision. A final chapter explores the interpretations of his songs by great singers, including many who worked with him, among them Ethel Waters, Lena Horne, Judy Garland, Frank Sinatra, and Ella Fitzgerald.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059222860014,"sku":"9780197503270","price":55.83,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197503270.jpg?v=1736494256"},{"product_id":"the-catholic-beethoven","title":"The Catholic Beethoven","description":"\u003cp\u003eThe Catholic Beethoven  offers a new view of Beethoven and his religious music by demonstrating that both the composer and his sacred works were influenced by the German Catholicism of his era to a greater extent than has been thought. Since the middle of the nineteenth century, most accounts of Beethoven's religious attitudes have assumed that, as a child of the Enlightenment, the composer was estranged from the Catholicism into which he was born, adhering\n\u003cbr\u003einstead to an idiosyncratic and unorthodox religious outlook that was suspicious of dogma and tradition. This assumption has often resulted in the critical marginalization of Beethoven's religious music, with\n\u003cbr\u003ethe notable exception of the Missa solemnis, which is usually included among his most important compositions only by being reinterpreted as a humanist or universalist work transcending its superficial identity as a setting of the Catholic Mass. This book argues that such views have relied on an inadequately complex view of the Enlightenment, which presumes incorrectly that the Enlightenment was monolithically opposed to traditional religious belief. Beethoven's\n\u003cbr\u003ereligious outlook was primarily shaped by ideas associated with the German Catholic Enlightenment, a particular strand of the Enlightenment that sought to reconcile traditional Catholic beliefs with elements from\n\u003cbr\u003emore familiar, secular versions of the Enlightenment. The book uses the central concerns of this Catholic Enlightenment as a framework for interpreting Beethoven's sacred works-not just the Missa solemnis, but also the Mass in C, Christus am Ölberge, and the Gellert Lieder-as well as documentary evidence usually cited in relation to the composer's religious outlook. In addition, it will situate the content of a number of religious books in his library within the\n\u003cbr\u003ereligious-historical context of his time. Particular attention is devoted to Beethoven's interest in the writings of Johann Michael Sailer (1751-1832), one of the most important figures in German Catholicism during Beethoven's time,\n\u003cbr\u003ewith whom the composer also had a personal connection.\u003c\/p\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059222925550,"sku":"9780197752920","price":158.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780197752920.jpg?v=1736494260"},{"product_id":"cadence","title":"Cadence","description":"","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":46059231772910,"sku":"9780190056445","price":281.07,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/9612\/7726\/files\/9780190056445.jpg?v=1736494393"}],"url":"https:\/\/bookland.com.au\/collections\/january-2025-new-arrival-collection-art.oembed","provider":"Book Land AU","version":"1.0","type":"link"}